L100

Overview Features Video Gallery Documents

Architecture

All you need for small to mid-scale projects.

L100 processing power allocation and I/O architecture is extremely flexible. The console has up to 472 inputs and 472 outputs. It has 96 mix paths at 96kHz. These paths can be assigned as Channels, Stem Groups, Auxes and Masters to suit demands and configured as mono, stereo, LCR, 4.0 or 5.1. A mono Channel consumes one path, a stereo two, an LCR three a 4.0 path four and a 5.1 six. All 96 of the mix paths are full processing paths. Insert Effects have their own dedicated processing which is also dynamically allocated.

L100 features an output matrix which has four x 32 inputs and 12 outputs. All 12 matrix output paths have High and Low Pass Filters, 4 band EQ, 2 seconds of delay and our unique All Pass Filters available. This is in addition to two inserts that can be used with both the internal Effects Rack and external processing.

L100 Local I/O

Convenience and Connectivity.

L100 is equipped with a fully featured collection of Input and Output connectivity with the capacity to serve small to mid-scale production applications. L100 provides a versatile collection of local I/O built into the control surface so can operate without the use of any Stageboxes if required and has good connectivity for local peripherals when used in a pure FOH role. SSL Live consoles feature auto detection so identify any SSL Live I/O connected within the software routing pages.

Standard MADI port configuration: four pairs of coaxial MADI ports. There is an additional FX loop - a separate optical MADI port (out/in), designed for connecting an external FX device such as a system using Waves Multirack or a VST effects host. An optional redundant pair of SSL Blacklight II fibre connectors provide 256 bi-directional channels at 96kHz between console and stage. An optional local Dante card provides 32x32 channels of I/O at 96 kHz over a redundant Dante connection. The Dante interface offers Sample Rate Conversion between all Dante network rates. An optional redundant pair of SSL X-Light connectors provide 256 bi-directional channels at 96kHz between console and stage using a single cable with ruggedised connectors. There is a Wordclock connection. A redundant power supply is optional.

L100 local analogue I/O configuration; 12 mic/line inputs in, 2 front panel Talkback mic/line XLR inputs, 12 line outputs, 2 Headphone/Monitor outputs and a front panel 3.5mm line input. AES/EBU digital I/O configuration: 4 pairs of inputs and 4 pairs of outputs. AES/EBU I/O has fully variable sample rate conversion.

Four consoles one soul.

There are four models available in the SSL Live console range; the L550, the L350, the L200 and the L100. At SSL we believe that offering a range of sizes and console specifications should not mean compromising on quality or features.

All four consoles use the same Remote I/O, use identical audio conversion and internal audio engine technology. The combination and layout of Fader Tiles, Master Tile and Channel Control Tile varies but the controls available and feature set are identical. The consoles use the same software with identical architecture, routing capability, and of course audio processing tool kit. A full channel on the L550 is the same as a full channel on the other consoles and they all offer exactly the same outstanding collection of insert Effects. The differences between the four models centre on physical size, layout, available channel paths & processing power, and available local I/O.

The specification differences are so straightforward they are summed up clearly in the comparison table below.

SSL Live Console Overview

A video introduction to the user interface of the SSL Live console.

SSL Live Console Overview in Spanish

SSL at The Royal Birmingham Conservatoire - Part 1

Part 1: The new £57 million Royal Birmingham Conservatoire building has officially opened its doors. It's a milestone development that elevates the Conservatoire facilities to world-class status and includes a recording and live sound production infrastructure without compromise, and with SSL very much at its heart. The new equipment list includes four SSL Live consoles and five SSL SuperAnalogue consoles,…

SSL at the Royal Birmingham Conservatoire, Part 2

Part 2: The new £57 million Royal Birmingham Conservatoire building has officially opened its doors. It's a milestone development that elevates the Conservatoire facilities to world-class status and includes a recording and live sound production infrastructure without compromise, and with SSL very much at its heart. The new equipment list includes four SSL Live consoles and five SSL SuperAnalogue consoles,…

Jay Rigby, Front of House Engineer, Queens of the Stone…

Jay Rigby has chosen the SSL L500 console for Front of House duties on the recent Queens of the Stone Age world tour, supplied by Eighth Day Sound. In this interview, at the Eden Sessions UK, he talks about his creative approach to the QOTSA signature sound, dealing with mid-range madness, working with a 'variable' set-list, and the role the L500 console plays in everything.

Antony King Interview Part 2 - Front of House Engineer…

In Part 2 of this interview, Depeche Mode's Front of House Engineer Antony King talks about his choice of SSL Live L500 consoles, how he sets up and uses those consoles, and offers some real world advice on live drum production, reaching the back of the stadium, as well as spilling the beans on Dave Gahan's vocals.

Chris Stephens: FOH for Jason Aldean with SSL L500

Chris Stephens, FOH Engineer for Jason Aldean talks to SSL about the L500 live console.

Underworld on Tour with SSL Live

Rick Smith and Karl Hyde talk about using the SSL L500 console live on stage.

Rob Ziemba, Monitors, Chance The Rapper.

Monitor Engineer Rob Ziemba talks about his experiences with the SSL L500 console during the latest Chance The Rapper tour.

Kyle Bulmann, FOH, Chance The Rapper

Front of House Engineer Kyle Bulmann talks about his experience with the SSL L500 Plus live console during the latest Chance The Rapper tour.

The Analogues - Remko Luijten and Ger Arts

The Analogues is an extraordinary band with an ambitious mission. The aim is to recreate, live, the last six Studio albums of The Beatles using the same instruments, amplifiers, and arrangements. The band has tracked down and restored period instruments from all over the world, such as a rare Lowrey Heritage Deluxe Organ, as used on the introduction to Lucy In The Sky With Diamonds. Remko Luijten,…

Antony King Interview Part 1 - Front of House Engineer…

Antony King is the fingers behind the faders behind Depeche Modes's epic Global Spirit Stadium Tour that spans 2017 and 2018. In Part 1 of this interview he talks about his own background and how he prepares for a tour like this, as well as offering some insight into the technical and creative aspects of a Depeche Mode gig, and how you get that kind of gig in the first place.

The Church At Brook Hills

A video interview with Director of Technology, Matt Glover, and Production Manager Landon Robertson - church mixing, loudness, and technology choices. The Church at Brook Hills (Alabama) uses SSL L300s at FOH and monitors.

Kenny Kaiser, Front of House Engineer, The Killers

During sound check at the Mohegan Sun Arena, Front of House Engineer Kenny Kaiser takes time out to share wisdom from his years or experience in live sound engineering, and from life on the road with US rock phenomenon, The Killers.

Andrew Stone, Church On The Move

How do you get a church to rock? Respected Production Manager and Front of House Engineer Andrew Stone talks about how Tulsa's Church On The Move has carved character into its message, and why he switched from all-analogue to SSL Live.

Chris Pollard: FOH Engineer for Mumford & Sons

Front of House Engineer Chris Pollard has been touring with Mumford & Sons since their first album and is currently in the midst of the Band’s epic 'An Arrow Through The Heartland' tour. Pollard's console of choice for the tour is the SSL L500 live console...

Brian Montgomery, Monitors - Santana on SSL Live L500

Brian Montgomery (Monitors, Santana) shares his experiences in transitioning to and touring worldwide with the SSL LIve L500 console.

Michael Montanari: SSL Live at Christ Community Church,…

Christ Community Church (Illinois) Technical Director Michael Montanari has specified SSL L500 consoles for both Front of House and Monitor positions at its St Charles campus. In this video he talks about audio production at the church and his experiences with SSL Live.

Mark Dowdle on SSL Live L500

Mark Dowdle, FOH Engineer for Gloria Estefan, Steely Dan and many more talks to SSL about his experiences using the L500.

Chris Rabold: FOH for Kenny Chesney with SSL Live SSLvideos

Engineer Chris Rabold talks to SSL about his experiences using the SSL L500 live production console at FOH for Kenny Chesney.

Synchron Stage Vienna Pt 2

Herb Tucmandl, CEO and Founder of Vienna Symphonic Library and Synchron Stage Vienna reveals the story behind the creation of this fantastic new facility.

Synchron Stage Vienna Pt1

Successful sample library and virtual instrument developer Vienna Symphonic Library has opened a new large-scale, high-end scoring stage and studio complex, Synchron Stage Vienna. The complex features two Duality consoles, an L500 live console and a huge Dante network powered by SSL Network I/O.

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SSL Live. L100

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SSL Live. L100 with arm

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SSL Live. L100

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SSL Live. L100 with arm

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SSL Live. L100

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SSL Live. L100 with Remote tile

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SSL Live. L100 Remote tile

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SSL Live. L100 Remote tile

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SSL Live. L100 Remote tile

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SSL Live. L100 Remote Tile with SOLSA Touchscreen

L100 - Documents

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Architecture

All you need for small to mid-scale projects.

L100 Local I/O

Convenience and Connectivity.

Four consoles one soul.

L100 - Documents

Related Media

Find a live sound partner

L100

Architecture

All you need for small to mid-scale projects.

L100 Local I/O

Convenience and Connectivity.

Four consoles one soul.

L100 - Documents

Related Products

Related Media

Find a live sound partner