Small but still mighty
X-Light
X-Light is a high channel count, ultra-low latency Dante interface. Experience a Dante I/O solution that is reliable and quick to deploy on the…
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MUSIC & AUDIO PRODUCTION
L350 processing power allocation and I/O architecture is extremely flexible. The console has 600 inputs and 600 outputs. It has 216 mix paths at 96kHz. These paths can be assigned as Channels, Stem Groups, Auxes and Masters to suit demands and configured as mono, stereo or LCR. A mono Channel consumes one path, a stereo two, an LCR three a 4.0 path four and a 5.1 six. 168 of the mix paths are full processing paths and 48 are dry. The combination of full and dry path types can be allocated to suit different applications. Insert Effects have their own dedicated processing which is also dynamically allocated.
L350 is equipped with a fully featured collection of Input and Output connectivity with the capacity to serve both Front of House and Monitor applications. L350 provides a versatile collection of local I/O built into the control surface so can operate without the use of any Stageboxes if required and has good connectivity for local peripherals when used in a pure FOH role. SSL Live consoles feature auto detection so identify any SSL Live I/O connected within the software routing pages.
L350 local analogue I/O configuration; 16 mic/line inputs, 16 line outputs, 4 Headphone/Monitor outputs. AES/EBU digital I/O configuration: 4 pairs of inputs and 4 pairs of outputs. AES/EBU I/O has fully variable sample rate conversion. Standard MADI port configuration: 3 redundant pairs of coaxial and 1 redundant pair of optical. If redundancy is not required, these connections can be independent, providing a maximum of eight ports. In addition there is a separate optical MADI port (out/in), designed for use as an ‘FX Loop’ for connecting an external FX processing such as a system using Waves Multirack or a VST effects host. The standard configuration has no SSL Blacklight II connectors but there is an option to add one redundant pair. A Dante card option is also available offering 32x32 channels of I/O at 96 kHz (or 64x64 channels at 48kHz) over a redundant Dante connection. An optional redundant pair of SSL X-Light connectors provide 256 bi-directional channels at 96kHz between console and stage using a single cable with ruggedised connectors. The back panel also accommodates connectors for MIDI, LTC, Wordclock and GP I/O. A 2nd redundant power supply is standard.
There are four models available in the SSL Live console range; the L550, the L350, the L200 and the L100. At SSL we believe that offering a range of sizes and console specifications should not mean compromising on quality or features.
All four consoles use the same Remote I/O, use identical audio conversion and internal audio engine technology. The combination and layout of Fader Tiles, Master Tile and Channel Control Tile varies but the controls available and feature set are identical. The consoles use the same software with identical architecture, routing capability, and of course audio processing tool kit. A full channel on the L550 is the same as a full channel on the other consoles and they all offer exactly the same outstanding collection of insert Effects. The differences between the four models centre on physical size, layout, available channel paths & processing power, and available local I/O.
The differences are so straightforward they are summed up extremely clearly in the comparison below.
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